| 1:26 | Est. Play Time |
| 23 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Soprano
as Almira |
 |
14 | 0 | 4 | 5 | 96% |
| Cembalo Continuo | |
14 | 24 | 3 | 4 | 83% |
| View all 8 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Soprano
as Almira |
|
14 | 0 | 4 | 5 | 96% |
| Cembalo Continuo | |
14 | 24 | 3 | 4 | 83% |
 |
14 | 1 | 3 | 3 | 78% | |
| Viola | 9 | 0 | 2 | 3 | 78% | |
| Violin 1 |
|
8 | 0 | 1 | 3 | 78% |
| Violin 2 |
|
7 | 0 | 2 | 3 | 78% |
| Violoncello Continuo | |
12 | 0 | 3 | 3 | 78% |
| Bassoon Continuo | |
11 | 0 | 2 | 3 | 74% |
| 2:50 | Est. Play Time |
| 26 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Bassoon Solo | |
20 | 0 | 3 | 10 | 100% |
| Contrabass Solo | |
17 | 0 | 3 | 6 | 100% |
| View all 14 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Bassoon Solo | |
20 | 0 | 3 | 10 | 100% |
| Contrabass Solo | |
17 | 0 | 3 | 6 | 100% |
| Oboe | |
17 | 0 | 3 | 9 | 92% |
| Harpsichord | |
20 | 29 | 3 | 7 | 85% |
|
17 | 7 | 3 | 6 | 88% | |
| Contrabasses | |
16 | 0 | 3 | 6 | 88% |
| Violas | 12 | 0 | 3 | 7 | 88% | |
| Violins 1 |
|
19 | 0 | 4 | 7 | 88% |
| Violins 2 |
|
15 | 0 | 2 | 6 | 88% |
| Violins 3 |
|
13 | 0 | 1 | 6 | 88% |
| Violoncello Continuo | |
17 | 0 | 3 | 6 | 88% |
| Violoncellos | |
16 | 0 | 3 | 6 | 88% |
| Violoncello | |
18 | 0 | 3 | 6 | 85% |
| Almirena | 13 | 0 | 3 | 8 | 54% |
| 3:30 | Est. Play Time |
| 34 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
19 | 45 | 6 | 4 | 98% |
|
23 | 14 | 5 | 2 | 100% | |
| View all 4 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Cembalo Continuo | |
19 | 45 | 6 | 4 | 98% |
|
23 | 14 | 5 | 2 | 100% | |
| Bassoon Continuo | |
22 | 0 | 5 | 2 | 98% |
| Soprano
as Almira |
|
15 | 0 | 3 | 6 | 87% |
| 2:01 | Est. Play Time |
| 26 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
22 | 35 | 7 | 7 | 97% |
|
24 | 25 | 7 | 6 | 100% | |
| View all 4 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Harpsichord | |
22 | 35 | 7 | 7 | 97% |
|
24 | 25 | 7 | 6 | 100% | |
| Violoncello | |
24 | 0 | 7 | 6 | 100% |
| Rinaldo | 14 | 0 | 4 | 8 | 92% |
| 1:33 | Est. Play Time |
| 34 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Piano | |
12 | 4 | 1 | 3 | 81% |
|
27 | 32 | 4 | 6 | 96% | |
| View all 8 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Piano | |
12 | 4 | 1 | 3 | 81% |
|
27 | 32 | 4 | 6 | 96% | |
|
22 | 15 | 1 | 7 | 55% | |
|
22 | 15 | 2 | 7 | 94% | |
| Célesta | |
18 | 8 | 2 | 6 | 61% |
|
1 | 0 | 0 | 1 | 3% | |
| Clarinette Basse |
|
18 | 0 | 3 | 7 | 55% |
| Timbales | |
5 | 0 | 0 | 5 | 39% |
| 1:28 | Est. Play Time |
| 22 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Piano | |
17 | 13 | 2 | 7 | 95% |
|
14 | 14 | 3 | 5 | 93% | |
| Contre-ténor | |
15 | 0 | 3 | 7 | 90% |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Piano | |
17 | 13 | 2 | 7 | 95% |
|
14 | 14 | 3 | 5 | 93% | |
| Contre-ténor | |
15 | 0 | 3 | 7 | 90% |
| 0:01 | Est. Play Time |
| 30 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Violoncelle. | |
15 | 0 | 3 | 6 | 84% |
| Bratsche. | 11 | 0 | 3 | 5 | 58% | |
| View all 13 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Violoncelle. | |
15 | 0 | 3 | 6 | 84% |
| Bratsche. | 11 | 0 | 3 | 5 | 58% | |
| 2. | |
8 | 0 | 2 | 4 | 32% |
| 1 Violinen. | |
7 | 0 | 1 | 4 | 26% |
| Fg.1 | |
8 | 0 | 2 | 5 | 26% |
| Fg.2 | |
9 | 0 | 2 | 7 | 26% |
| Hr.1 in D. |
|
8 | 0 | 1 | 5 | 26% |
| Hr.2 in D. |
|
5 | 0 | 0 | 3 | 26% |
| Hr.3 in D. |
|
4 | 0 | 1 | 3 | 26% |
| Hr.4 in D. |
|
6 | 0 | 1 | 4 | 21% |
| 3 Pos. |
|
7 | 3 | 1 | 2 | 16% |
| 2 Trp. in D. |
|
3 | 1 | 1 | 3 | 11% |
| B.T. | |
2 | 0 | 0 | 2 | 11% |
| 1:03 | Est. Play Time |
| 29 | Measures |
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Hoboen. | |
18 | 13 | 5 | 8 | 100% |
| Klarinetten
in B. |
|
18 | 16 | 5 | 8 | 100% |
| View all 15 Parts | ||||||
| Unique Notes |
Unique Chords |
Unique Accidentals |
Rhythmic Complexity |
Percent Played |
||
|---|---|---|---|---|---|---|
| Hoboen. | |
18 | 13 | 5 | 8 | 100% |
| Klarinetten
in B. |
|
18 | 16 | 5 | 8 | 100% |
| Floten. | |
18 | 4 | 5 | 8 | 97% |
| I. Violinen | |
28 | 2 | 5 | 11 | 97% |
| Bratsche. | 22 | 2 | 4 | 10 | 97% | |
| II. | |
22 | 15 | 5 | 11 | 95% |
| III IV in D. |
|
17 | 12 | 3 | 7 | 95% |
| Violoncello. | |
17 | 1 | 1 | 9 | 93% |
| Flute | |
17 | 2 | 4 | 8 | 90% |
| Fagotte. | |
13 | 7 | 2 | 4 | 87% |
|
I II in F. Hr. |
|
16 | 15 | 5 | 7 | 75% |
| KontrabaB. | |
15 | 0 | 1 | 4 | 59% |
| Trompetten
in D. |
|
6 | 0 | 0 | 5 | 50% |
| Kleinen Floten. |
|
10 | 0 | 2 | 4 | 31% |
| Oboe | |
9 | 0 | 2 | 5 | 14% |
